Jacopo Benci

The photography of Cesare Ballardini stands somewhere on a line connecting the photography of Guido Guidi – who portrays anonymous places in a pared down, anti-heroic, melancholic, decentred way, using black and white alongside de-saturated colour – to that of Luigi Ghirri, which by comparison appears maximalistic: axial, symmetrical, pictorial, rich in its colour, and […]