{"id":13,"date":"2014-11-18T18:54:30","date_gmt":"2014-11-18T18:54:30","guid":{"rendered":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/?p=13"},"modified":"2025-02-26T13:24:56","modified_gmt":"2025-02-26T13:24:56","slug":"british-premiere-of-abdellah-taias-salvation-army","status":"publish","type":"post","link":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/2014\/11\/18\/british-premiere-of-abdellah-taias-salvation-army\/","title":{"rendered":"British premiere of Abdellah Ta\u00efa&#8217;s Salvation Army"},"content":{"rendered":"<p>Back in September, I attended the first British screening of <em>Salvation Army<\/em>\u00a0(2013), the d\u00e9but film of\u00a0Moroccan author (and now filmmaker) Abdellah Ta\u00efa, screened exclusively as part of\u00a0<em>Safar: The Festival of Popular Arab Cinema\u00a0<\/em>at the Institute of Contemporary Arts, in London. This was an exciting first-time experience on many counts: this was the first public screening of Ta\u00efa&#8217;s film, which is his first film, based on the eponymous novel; Ta\u00efa also happens to be the first Moroccan writer to &#8216;come out of the closet&#8217; publicly. His sensitive and teasing work was the catalyst of my current study, the trigger of my thoughts about the need for a comprehensive study of queer Muslims in fiction and film.<\/p>\n<p>When I arrived at the ICA, I was instantaneously enveloped in the cultured and radical mood of the place by the rows and rows of critical theory bookshelves contained in its main hall. I hadn&#8217;t visited the ICA for a long time, and making this express visit to see\u00a0<em>Salvation Army\u00a0<\/em>on the big screen made me all the more aware of the need of such spaces as the ICA and\u00a0<em>Safar<\/em>, which is affiliated to the British Arab Centre, to promote culture not widely available on the mainstream. While I waited for the film to start, I dabbed into the Foucaults and Deleuzes teeming the shelves. I don&#8217;t know if there was a mood of expectation in the air or if I brought it with me, but I was certainly excited to be able to see a film I&#8217;d been waiting for since I first found out of its production, and which I feared wouldn&#8217;t be given a commercial release in the UK.<\/p>\n<p>The film is suffused in\u00a0the pathos and subtlety of Ta\u00efa&#8217;s literary work, and I found it a potentially controversial but ultimately uncomplicated depiction of complex issues, such as Muslim homosexuality, pederasty and incestual desires. After seeing the film (while I made interminable notes in the dark), I put together a <a href=\"http:\/\/www.arabbritishcentre.org.uk\/media\/salvation-army-review-alberto-fernandez-carbajal\/\">review <\/a>of it (which you can access if you hover on the link), and which was subsequently published in the Arab British Centre website.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Back in September, I attended the first British screening of Salvation Army\u00a0(2013), the d\u00e9but film of\u00a0Moroccan author (and now filmmaker) Abdellah Ta\u00efa, screened exclusively as part of\u00a0Safar: The Festival of Popular Arab Cinema\u00a0at the Institute of Contemporary Arts, in London. This was an exciting first-time experience on many counts: this was the first public screening [&hellip;]<\/p>\n","protected":false},"author":125,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/posts\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/users\/125"}],"replies":[{"embeddable":true,"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":2,"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/posts\/13\/revisions"}],"predecessor-version":[{"id":16,"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/posts\/13\/revisions\/16"}],"wp:attachment":[{"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/media?parent=13"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/categories?post=13"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/staffblogs.le.ac.uk\/queeringislam\/wp-json\/wp\/v2\/tags?post=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}